Warming House

By Randy Hawkinson

        It was early morning. When I answered the phone two people began  
talking on the other end. One said Ben had locked himself in the bedroom  
with her, and the other said to hurry. One thanked me and then they both  hung up
        My mom and dad walked into the kitchen. I told them. My mom  
sobbed and my dad peeled his pajamas off his belly.  
        My mom said she thought the doctor said Ben's mom was getting  
better. She asked what had happened. I didn't know. My mom sighed.  
Then my dad said that someone should call Ben's football coach at the  
University of Minnesota, that he could coax Ben out. My dad shook his  
head and my mom said we'll take some banana bread for Ben and Beth,  
and here, eat these doughnuts. Then we all drove over.  
        Uncle Ferdy opened Ben's door. He was holding a fifth of Old  
Forrester. He said nothing, then wiped his mouth on his sleeve. His red  
nose bobbed as he bit his lip. Then he smiled at me and I said Hi Booly  
to him.  
        The bedroom door opened into the living room, so everyone was there
A plant was tipped over on the carpet. Everyone walked around the dirtMy mom said my dad's name. Ben's younger sister, Beth, was sitting on  
the couch, crying
        One of the police officers, the younger one, mentioned the possibility  
of bloating or smell. He said in Vietnam he and some others came across  
this teeny little dead granny " gook" in her hootch. My mom pinched a  
bead on her rosary and said a prayer. He said she was puffed up fatter  
than a pig and stinking worse than anything he'd ever smelled. Then he  
and his partner and the doctor walked up to the bedroom door and asked  
Ben to come out. Ben told them to shove it. Then he called the doctor  
a liar. Someone said there wasn't enough air.  
        Father Lafontaine called out to Ben that there were rough spots in  
everyone's life. As he spoke he waved his white hands and moved his frocked  
arms in great slow arcs like someone rowing a boat in a dream. Ben swore  
and kicked the door and said sure, and to tell him all about it
        Everyone started talking, saying they knew what should be done. Ferdy  
took a drink and stomped his foot and grunted. The young cop, the heel  
of his hand smothering his squawking walkie-talkie, told Ferdy to cool his  
jets and take it easy on the circus water. Ferdy stumbled over to me and  
offered me a drink. I said I'd better not, Booly. Then he took one and  
said Ish, that's good, and wound his way through the bodies and round  
the dirt. Beth blubbered and bawled and my dad said we should call Ben's  
coach.  
        Then Father LaFontaine draped an arm around me and led me up  
to the door. Someone said someone open a window. My cheek cooled on  
the smooth varnished wood. I listened. The doctor said he wasn't a liarand then no one moved and I almost said Ben. My dad told the cops that  
when Ferdy got drunk on bourbon he turned into Booly Boolosh. Beth  
blubbered and gasped for air, and then the bedsprings squeaked. Booly  
who? the cop said, and my dad said Boolosh, Norm Boolosh, Minnesota's  
fullback. Then the bedsprings squeaked again and Ben said my name. His  
nose was plugged. He was inches away. He tried to clear his throat and  
say something
        Everyone started moving around and talking again. Ferdy tucked his  
bottle under his arm like a football, stiff-armed the air and plowed his  
way into the kitchen. The doctor paced. My dad wiped the back of his  
neck and said oofta, it's sticky in here, eh, and that this was a job for Coach  
Salem. Father LaFontaine swung his arms again and said Ben, my son, we  
know, we know, and the doctor said he wasn't a liar. The old cop lifted  
a hand above his head and said the humidity must be up to here. I leaned  
against the door and let my hand fall from my cheek. Beth tried to say  
something.  
        Ferdy walked back in carrying a bag of potato chips. The young cop  
said she could even be stinking and bloating now because it happens faster  
in the humidity and heat. Ben leaned on the door. He told Father  
LaFontaine that he could go plumb to hell.  
        He yelled it
        My mom pinched another bead and said a Hail Mary. Ferdy laughed  
and blew bourbon through his nose. Beth tried to stop crying. The young  
cop whispered was this a puzzle palace or what. His partner said it was  
just the frequency of this crap, that's all. Father LaFontaine touched the  
door and said to Ben that yes, yes, it's hard, but that we should let Him  
decide when-but Ben just yelled it out again and swore and kicked the  
door.  
        Nobody talked. My mom pinched another bead and the tips of her  
fingers turned red. Beth started bawling again. Ferdy mingled, offering  
chips. The officers peeled their uniforms off their skin, and my mom's  
fingertips turned white. Then Ferdy asked who remembered the words to  
"In the Cellars of Old Cloquet High."  
        Then the doctor yelled into the bedroom something about why he'd  
said what he did. Father La.Fontaine sighed. Someone's skin glistened. The  
young cop said he'd bet his left arm that she was puffing up like a  
baloo-but someone said someone please open a window. My dad wiped  
his face and said the solution was a phone call away. Beth shuddered. I  
lifted my fingers from the knob, and pressed the backs of them to the  
door. Ferdy started humming
        Ben said that he had to pee. He asked me if I would bring in an empty  
pitcher. He yelled that if anyone else tried to come in they were dead meat        The room was dimly lit from the closet light. Ben thanked me for  
the pitcher. His bicep jumped when he grabbed it. He asked me to lean  
against the door so it would click. The young cop said if he had it his way  
Booly Shmooly would be on his way to Duluth for the cure, and Ben  
wouldn't-but his partner said it was simply a matter of frequency        Ben turned away from me. He'd held it for a long time        His mother was all lumped under the bedsheet. Ben said oofta. Ferdy  
stopped humming and said there wasn't enough air around to dry a June  
bug's butt, and then started humming again. Ben put the pitcher on the  
window sill and squeezed me and said after he'd lifted weights and run  
sprints he just found her there. Here. He said he'd started shaking and  
then yelling and then Beth came in but he shoved her back out and locked  
the door. She'd called the priest. He said he'd strangle the doctor. Ben's  
square chest heaved. Ferdy began to sing. My dad asked why someone  
wouldn't just pick up the phone and call Ben's coach. Beth whimpered  
and choked, and the doctor said that what he'd told Ben was no different  
than what he'd told the Pollard boys about their father last week. My dad  
said Mother of Mary and one of the cops asked Ferdy what the hell his  
real problem was, anyway.  
        Ben's chest glistened, and then he held his breath too long and  
squeaked. He swore and coughed and looked at his mother. He pointed  
to the sheet over her face and said he didn't know what the hell else to  
do, and that the doctor had lied. Ben's fingers wiggled. He flexed his upper  
body and tried to clear his throat. The old cop said frequency.  
        Ben did push-ups. He asked me to count. His forearms bulged and  
the muscles on his back wiggled like snakes. He pushed and pushed and  
I counted out loud. The blue Chippewa throw rug wrinkled under his feetFerdy sang. Ferdy sang and sang and sang. When I said fifty Ben stopped  
and stood up. His chest was gorged. Then with the heel of his hand he  
tried to smooth the sheet that draped her. He patted one side smooth,  
but then the other side wrinkled, so he started shuffling back and forth,  
squeaking and pinching and patting and in different voices saying words  
and names and other things. He pointed to the pitcher and said who would  
believe it and pinched a wrinkle. His bottom lip turned inside out
        Ferdy sang the refrain and started over
        She was just lumped under the sheet. Beth bawled and bawled, then  
tried to say something, but a walkie-talkie squawked about a 10-41 in  
progress at Stella's Bar, and that a back-up and something else was needed,  
and then someone said someone open a window before they croak.  
        Then Father Lafontaine called out to Ben and said we know not the  
time or place. For a moment everyone listened. Then the doctor yelled that  
lying wasn't the word for it at all and the young cop again prophesied  
bloating and Ben, with his pumped pectorals and milk-jug forearms and  
striated back, pinched at the wrinkles and patted the lump and between  
squeaks talked fracture, saying things in different voices like so many radio  
stations crowded too close in the night.  
        Ferdy gurgled another verse.  
        And then Ben crumpled onto the bed. He breathed and looked  
around and said my name and looked at me. And I said his.  

The Phone Call

By Tim Hansen

         I was told at the time I was old enough to understand that  
I was the exact reincarnation of John Wilkes Booth, and that  
when I finally became a man, I would, discriminately of course,  
kill the President of the United States in the coldest blood  
imaginable. Having such an honorable duty hanging over my head, I began  
to collect the President's series of stamps, pasting each one in my book  
with youthful fervor. I really thought that I might see one of these famous  
gentlemen walking along the rocky paths of our commune and bean him  
with my slingshot. You can imagine what a traumatic blow it was to me  
to find out that my mother's notions about me were only so much talk,  
and that she and her guru friend had been thoroughly zoned at the time  
they'd told me. Being Americans, they never saw the need to renege on  
the lie when they were straight.  
        I sit on the end of Pier 39. Three sea gulls play tag high above. As  
I watch, the biggest of them cuts away from the group and dips sharply  
to the right. It hangs a moment in mid-air. For a second, I don't think  
it's moving at all. Then it tips one dingy grey wing and swoops in over  
my head.  
        Behind me, someone screams. I turn just in time to see the bird glide  
in and tear a crab cup from the hands of a fat woman in a purple polyester  
kimono. The woman shrieks and pouts. She stamps her feet and wigglesThe crowd oohs and aahs as the sea gull makes a smooth arc back into  
the sky. I turn my face to the sun and laugh out loud. I think this is funny.  
        It's carnival time on the wharf-mid-July and noisy. I like to hide  
in the noise. I stare at the water far below and imagine the dorsal fin of  
a friendly bay shark slicing its way through the water as the hungry machine  
separates my legs from my body. I suddenly decide that I'm going to wait  
all night for the shark if I have to. It's not a bad thought. It'll get me  
through the day.  
        A while later, I hear a scraping noise off to my left. I turn to see a  
sea gull skidding in for a landing. It's the same one that attacked the tourist. 
It's a big one, with a large bluish patch of feathers forming a ring around  
its neck. It looks at me for a moment, and then comes up beside me. We  
both stare out at the water. After a minute, the sea gull talks to me.   
        "Some day, huh?''  
        I look over at the bird. It ruffles its feathers and snaps its beak. I decide  
not to say anything. I'm in no mood to talk. It's quiet for a while, and  
then the bird speaks again. It has a deep voice. I decide it's a guy        "Your girl leave you? 
        My resolve melts and I speak. "How'd you know? " I ask.  
"I could tell," he says, scratching at the pier with his foot, or whatever  
it is birds have. "My old lady took off a while back."  
        "Really?" I say. " Where'd she go?"  
         The bird stares out toward Alcatraz, where the waves are just beginning  
to slap at the shore
        "South," he says, kind of lonely and far off.  
        "I didn't think sea gulls flew south," I say
        The sea gull leans his head back and lets out a sharp coughing soundI think he's laughing
        "Naw," he says. "She went down to Acapulco with another guy.        "Tough luck," I say
        ''Tell me,'' he says
        Together, we watch the shadows swallow Alcatraz. Then the bird jumpsHe drops straight down, wings at his sides. He almost hits the water. At  
the last second, he tips his wings and goes straight up. In another minute  
I can't see him anymore.  
        Later, the sun goes down. No sign of a shark. I decide to go home  
and sleep this off. Maybe kick back on the bed and flip through my stamp  
book. Maybe not
        Walking home, I wonder if Gloria is in Acapulco with another guy.  

        I awaken to the sound of trumpets. They herald my arrival. They howl  
the swallows back to Capistrano. They announce another glorious broadcast  
day on KBAY-TV. I open my eyes, stare at the TV, and close them again.  
The phone rings.  
        ''Hello?''  
        "Hi, Ter. Gloria. I've been thinking__'.'  
        "Yeah, I'll bet you have."  
        "Please don't be upset. Forgive me. I want you back."  
        "Sorry, chick. I'm strong now.''  
        "W-what do you mean?"  
        ''I mean__'.'  
        I wake up and answer the phone. It's my landlord. He tells me that  
if I don't pay the rent by five-thirty, he's turning off the power. I tell him  
to go ahead, and send in the sharks while he's at it. He hangs up        Some people call me a cynic.  
        By eight-thirty I'm out of bed and in my bug. I cruise up Van Ness  
to a Chevron station and fill the tank. I hit a 7-11 on Bay and pick up  
a six-pack of Classic Coke from a pretty Vietnamese girl with a  
Florida-shaped birth mark on her left cheek. I slide an Elvis Costello tape  
into my cassette deck and head over the Bay Bridge.  
        Gloria lives in a red two-story house in Berkeley, about half a mile  
from the school. Since it's on a hill, some of the streets parallel each other  
in layers, and there are at least three streets higher than Gloria's. I claim  
these streets as mine. I prowl.  
        Gloria's car is in the driveway. A blue Subaru GL. If she's gone to  
Acapulco, she didn't take her own car. That's a good sign, I guess.  
        Three little kids are playing with a Water Wiggle on one of the lawns.  
Each time I pass, they get a little more curious. After thirty trips up the  
street, parents begin to join them. After forty, the streets are deserted. After  
fifty, a cop pulls me over.  
        "May I see your license, please?"  
        "I'm looking for my girlfriend."  
        "May I see your license, please?"  
        "Okay."  
        He kicks me out of the neighborhood. I don't even get to see her.  
        I drive down to Tower Records on the wharf and buy fifteen records  
on my Mastercard. I get depressed on the way home and go back. I buy  
five more. In the car again, I start to cry. I take the records back and beg  
the clerk to let me return them. She says no way. She says no refunds. She  
wears leather pants. What does she know?  
        When I get home, I leave the records in the car. If they won't take  
them back, then I'm going to let them melt.  
        The phone rings as soon as I walk in the door
        "Terry?"  
        "Gloria." (I sound very cool and nonchalant here.)  
        "Baby," she says. "I need you. I'm ready to come back."  
        "I tried to tell you, Gloria," I say with a real sad tone in my voice.  
"But you wouldn't listen."  
        ''I know, I know,'' she cries desperately. ''I never should have scraped  
my key all the way up the side of your car.''  
        "Sorry, chick. I'm strong now."  
        "W-what do you mean?"  
        "I mean-"  
        I let the phone ring.  

        Once, in October, I was very sick. I locked myself in my apartment  
and refused to see anyone. Gloria used her key and came in anyway. She  
sat with me for two days, right next to my bed. She brought cold washcloths  
to bring down my fever. She read F. Scott Fitzgerald's This Side of Paradise  
out loud from start to finish. At night, when I started to shake, she climbed  
into bed next to me and held me.  
        I wake up in a sweat. The phone is ringing. My alarm clock has  
stopped, so I check my watch. It's two-thirty. The landlord has turned off  
the power early. I go to answer the phone, but my stomach climbs to my  
throat. The room tilts around me. The ringing is louder. I suddenly realize  
what I have to do. I figure if I go to the beach and hold my head underwater,  
the ringing won't be so loud. I head for the car
        I remember going to the beach once as a little kid with one of the  
communes. My mother was with a man in a torn-up army uniform. We  
were all down at the beach, and everybody took off their clothes and had  
a great time splashing around. The army man showed my mother some  
top-secret maneuvers on the dunes. I cried. Three or four really chesty girls  
came up to me, cooing poor baby and stuff like that. They scooped me  
up and took me out into the waves and threw me around like a sack of  
flour. I guess it was all right.  
        I tried to find my mother later on. I couldn't, and I thought I might  
start crying again, so I found my clothes, pulled on my pants, and set out  
across the dunes. I kept walking, holding back the tears, until I could see  
someone on the beach ahead. It turned out to be a little girl, about my  
same age, building a sand castle with empty Del Monte pea cans. I knelt  
down and started helping her. She didn't seem to mind. So we finished  
our sand castle, and it was a lot more fun than being thrown around like  
a sack of flour. Her parents owned a beach house that shot up from the  s
and like the trunk of a redwood. Her father came out and told her it was  
time to come inside for dinner. I was invited, and I remember that her  
parents were very nice people. I'm sure my manners were lousy, but they  
never let on. After dinner, the girl and her father and I went out to look  
at the sand castle. The tide had come in, and it was almost gone. The girl  
and I were all set to cry, but her father told us not to be upset, that the  
ocean was just taking back her own, as she did every night. We didn't  
understand it, but it sounded good. When I began to set off down the  
beach back to the group, the girl's father stopped me and pressed a  
five-dollar bill into my hand. I'd never seen one before. I went back over  
the dune and never saw them again. My mother took the money. I don't  
know what she spent it on.  
        So, I'm on my way to the beach. It's about a forty-five-minute drive  
in my bug. I turn up the tunes and coast along 101 at fifty-five miles per  
hour with the wind blowing steady from the east, and cooling expected  
later in the day. I sure hope Gloria doesn't get caught out in this heatHer Vuarnets might melt and stick to her nose.  
        Zappa comes on the radio. "Magdalena.'' I was thirteen years old in  
my Zappa days. It was just like any other phase, I guess, except when you're  
thirteen years old and you like Frank Zappa, you have a pretty fair chance  
of growing up diseased. I don't think I escaped in time; even a few years  
of Cat Stevens didn't help. Gloria still likes Frank Zappa, though she'd  
never admit it. I suspect she has a whole stash of Zappa and the Mothers  
of Invention in the back of her closet
        Anyway, after a while I get tired of coasting along at the designated  
speed limit and flick the hyper-space switch under my dashboard. The music  
of John Williams and the London Symphony Orchestra playing the theme  
from Star Wars blares out of the two ace quality speakers I have mounted  
in the bug. I zip along through the stars, crushing planets like croutons  
and shooting Gloria with my lasers. I arrive at the beach in exactly forty-five  
minutes.  
        As soon as I pull into the parking lot, a phone rings. It's in a phone  
booth, blocking my way to the sand. But I'm brave, and I get out of the  
car and take a few tentative steps toward the beach. The phone continues  
ringing. I know it's Gloria, but I'm scared to answer, scared to think that  
she's been watching me and knows where I am
        Standing in the danger zone between the car and the phone. What  
do I do? I take a deep breath, grit my teeth on the seventh ring, and leap  
for the car. I land safely in the driver's seat and initiate take-off. John  
Williams and I are outa there. I laugh in triumph, the phone ringing in  
my ears as I fly down the highway. I'm pleased with myself.  
        I'm on the coast highway, heading south. I've got plenty of tapes and  
enough money to last for a while. I only wish Gloria could see how  
responsible I'm being with my life. A master of my fate, a ruler of mdestiny. Indiana Jones has nothing on me
        Up ahead, I see two white BMW's. Of the three available lanes, they  
occupy the inside and outside, travelling parallel at approximately the same  
speed. I am terrified. There seem to be two people in each car. Probably  
a group of weekenders down from Marin County, out for a pleasant picnic  
on the beach, complete with a metal picnic basket and straps to hold their  
wine glasses in place. I pop John Williams out of the tape deck and put  
in the theme from Mission Impossible. I sit up straight, turn up the stereo,  
scream real loud, and flip the hyper-space switch. I pass them easily, right  
up the middle. I refuse to live in fear
        The world outside stans to look less like northern California and more  
like southern California. I pull over at a truck stop to get some gas. I go  
inside to have a burger. I sip on a Coke while I wait. There's a guy in the  
next booth eating a salad. He's wearing tinted glasses and a red, white,  
and blue jogging suit. I lose my appetite. Just as I go to the counter to  
pay the check, the phone next to the cash register rings. One lady comes  
to take my money, another one goes to answer the phone. I want to tell  
the second lady not to pick it up, or at least tell the first lady to take my  
money. I begin to shake. I can't say anything
        The second lady holds the phone to her breast and scans the placeIn a panic, I throw my money on the counter and run. I burst out the  
door, dodge several gas pumps, and dive into my car. I'm outa there.  
        Gloria and I had been together a year and a half when she decided  
we should date other people.  
        ''Nobody special, Terry,'' she said, washing the dishes.  
        He's a millionaire. He's taking her to a basketball game on a Thursday  
night. Gloria hates basketball. I suggested a double date. Gloria scraped  
dried scrambled eggs from a plate.  
        Thursday night at seven, I was parked about a block down from  
Gloria's. A white BMW pulled up to her house. The guy got out, and  
he had on a red, white, and blue jogging suit. I figured he had to live  
in Sausalito or Corte Madera, that jogging suit netherland between the  
City and San Rafael. They still think jogging is chic there
        He went in and came out a couple minutes later with Gloria. He  
inserted her into the white monster and off they went.  With me in hot pursuit.  
        I've never been much of a basketball fan. I can probably name ten  
or more NBA teams, but I don't follow the games or anything. Still, there  
I sat in the parking lot, listening to the game on my car radio. Every time  
the crowd roared, I imagined that I could hear the Millionaire and Gloria  
cheering right along with them, refreshments of one kind or another  
sloshing into their laps. I'd have been inside watching them through  
binoculars or something, but I barely had enough money to buy gas.  
        By the time they came out, my back was all cramped, but I sat up  
bravely and followed them out of the parking lot. We headed over the  
Golden Gate and right down into Sausalito. The BMW pulled up in front  
of a massive condo, and I took cover in front of a semi-massive condo a  
block and a half down. Gloria and the Millionaire went inside. Twenty  
minutes later, I was out of the car and casing the joint.  
        They were sitting on the couch together, sipping wine and nibbling  
cheese. From my perch in a large, itchy bush, I shook my head. I'd always  
hoped nobody really did this stuff.  
        I sat tight until the guy started to make his move on her. I considered  
being cool and walking away from it all. I considered trusting Gloria to do  
the right thing. I considered getting in my car, paying the toll over the  
Golden Gate with my last two bucks, and going home to bed. I considered  
again and chucked a rock right through this guy's living room window.  
        I got out of jail five days later. Gloria wasn't waiting for me. She wasn't  
there to punch me in the arm, call me a big lug, and say she understood.  
She wasn't there to smile and say that she'd stay with me from that mo- 
ment on. She wasn't there at all.  
        So the sun sinks way too fast into the ocean, and I'm on the highway  
heading south. A sign tells me that L.A. isn't too far off. For a second,  
I consider turning around and heading home, but then it's too late.  
Everything slides downhill into L.A. Even me
        I fumble in the glove box for a tape, and finally latch onto one. It's  
dark in the car, and I can't tell which one I've got, but I figure it doesn't  
really matter. I figure wrong.  
        It's Lionel Richie: no one's cure for heartache. I listen anyway, because  
I feel I deserve the pain. Two weeks ago, I drove past a place selling wood  
stoves. A sign out front said:  
HEATING BILL OVER FIFTY DOLLARS
MASOCHIST
        I got all choked up when I read the sign. I drove straight to the Dairy  
Queen, where I bought a double chocolate-fudge sundae and dumped  
it on the ground in the parking lot, feeling very guilty. A masochist. That's  
me
        Lionel takes me within an hour of the City of Angels. I pull into a  
parking lot at a 7-11, go to the phone booth, and take the phone off the  
hook. Then I cry myself to sleep.  
        Three months after we'd met, Gloria and I were sitting on the couch  
at my place, watching Letterman. She was brushing her long, brown hair  
with thick, careful strokes. The brush would travel from the top of her  
head and move slowly down her back with a hollow, hushing noise. I asked  
her if I could try. She smiled and I moved behind her. Her hair tickled  
the back of my hands as the brush reached the end of each stroke. After  
a while, I dropped the brush to my side and ran a hand through her hair.  
Gloria reached back, and somewhere in the strands of hair, her fingers met  
mine. . . 
        Sounds of knocking. An ethnic guy with greasy, curly black hair is  
standing there, wearing one of those famous red and white 7-11 smocksHe is knocking and peering, peering and knocking. I sit up and roll the  
window down a crack. He doesn't waste any time.  
        "Hey man, you can't sleep here. This ain't no steenkin' hotel."  
        I make a quick mental calculation. Reseda, I think. No, not ResedaCorona. They still talk like this in Corona.  
        "I believe the term is mo-tel," I say.  
        "Huh?" he shoots back
        "Mo-tel," I repeat. "You take your car to a mo-tel."  
        "Tu madre," the guy says under his breath. "I got some friends who  
can move you to a mo-tel for sure!"  
        ''I'm sure you do," I say. "And I'd really like to stay here and meet  
them, but I've got a Circle K and two more 7-ll's to hit before I get full night's sleep."
        I back out fast enough to run over his feet if he's not quick. He isHe dives out of the way, and as soon as he hits the pavement, he's back  
on his feet with a big rock in his hand. He lobs it at my bug, hitting the  
back windshield and sending a spiderweb of cracks crawling to the roof  
of my car. I slam on the brakes, do a 360 for effect, and bear down on  
the guy. I hit the gas. He gets out of the way pretty quick, leaping up  
on the hood of a black Mustang. He twists around, trying to get my plate  
number. I keep my plates in the back window, and they fall down all the  
time. I give the guy one last laugh, back up, and get out of there
        I don't mind ethnics at all. It's stereotypes that bug me. 
        I avoid downtown L.A. altogether. I decide to hit the beach, so I get  
on the Ventura Highway and coast along in the slow lane. This is the  
territory where I spent a lot of my childhood. Gloria and I talked a lot  
about coming down here sometime, but we never did. So now I'm down  
here without her, and it feels good. The wind in my hair, the smog in  
my lungs, the spice of youth in my veins. It feels like death. Just like death.  
        There's a beach every other block down here, and not one is nearly  
as nice as it once was. I almost stop a few times. I want to find a beach  
without phones, where I can get some rest, but nothing feels right. Not  
alone.  
        I am overcome with grief. The last six months wasted without calling  
her once. My foot grinds into the gas pedal.  
        Bugs can be pretty fast little cars, if you're lucky enough to have a  
friend who can work on them. I'm lucky. I'm up to 95 miles an hour and  
my little car is hardly sweating it at all. Then I get it into my head to plow  
into the back of a semi. I can see the collision, hear the crashing of glassThe truck is up ahead, three hundred yards to the left
        I won't feel a thing
        I cross two lanes with a quick jerk of the steering wheel. Horns blareI reach 100 miles an hour with a little more effort. I feel like crying but  
I don't. I just want to get to the truck as fast as I can and atomize a few  
particles. Gloria may even come to the funeral. That might be nice.  
        Just when it seems I'm going to get my wish, and the truck is only  
100 yards ahead, I glance off to the beach on my right. I slow down so  
fast I nearly cause a pileup.  
        It's the same beach. There's my mother, and the army man. There's  
the four chesty girls. There I am, being thrown around like a sack of flour.  
        I signal and get off at the next exit, making my way back to the beachIt hasn't changed much. When you see something you haven't seen since  
childhood, it usually looks larger or smaller than your memory, but this  
beach looks about the same. There's a family with a hibachi, frying up  
steaks, and about ten teenagers playing volleyball. It's amazing, otherwiseThe sameness of it all.  
        Except for the phone booth.  
        It's white and blue, a rectangular closet up ahead on the left. I drive  
up alongside it slowly. And smile.  
        Someone has torn the phone from its brackets. It won't be ringing  
anytime soon.  
        I pull the bug onto a small, sandy patch of parking lot and get outIt's an unusually cool day for an L.A. beach, but warmer than I'm used  
to. I get out, slip off my shoes, and toss them back through my open  
window. This is the place.  
        I walk out on the beach. It immediately puts me in mind of all those  
novels and movies where people go back to the places of their childhood  
and learn new and important things about their lives. The volleyball crowd  
is moving to the soothing strains of Van Halen. Nothing new and important  
for me there. The mother of the hibachi family is reading Green Eggs and  
Ham to one of her kids, a little blond guy wearing a red plaid bathing  
suit. There may be something new and important there, but I'm not in  
the mood.  
        I walk out and let the surf wash over my feet. The water isn't too  
mucked up; I could probably even swim in it if I wanted to. But the thought  
of all those novels and movies comes back to me, and all the cathartic  
ramifications of bathing in my childhood memories keeps me out of it.  
I kick up some sand and walk down the beach.  
        I know where I'm heading, but I try not to think about it too much.  
My analytical mind is too busy wondering what it will mean if the house  
isn't there anymore. And if it is, what if it's run-down, with paint peeling  
from the rafters? The symbolic possibilities are astounding.  
        It's smaller than I remember. That doesn't mean it's small, not by  
any means, but memory's a tricky thing. It's a respectable,  
expensive-looking place, and the paint isn't peeling from the rafters. A  
couple of other houses have sprung up around it
        A man's voice comes to me from the balcony.  
        "Nice day, huh?"  
        He isn't old, probably in his mid-forties, wearing red OP shorts and  
a yellow sports shirt with a baby stegosaurus on the left breast pocket. I  
smile.  
        ''Nope, not too bad. Little warm, though.''  
        "Warm?" he laughs. "Kid, it's chilly today! You 're not from around  
here, I'd guess.
        "Up North.
        "Oregon, Washington?"  
        "No," I say. "Northern California. San Francisco."  
        "Oh," he says. "The Bay Area.
        It's always cracked me up how people say that like it's a dirty wordThe ''Bay Area,'' like it hurts them to say it. There was a time when San  
Francisco was known for its architecture and trolleys.  
        The guy doesn't say anything for a full minute. When he does, it  
isn't apologetic.  
        ''This is a private beach, you know.''  
        I look out at the waves. "No," I say. "I didn't know that."  
        "Yup," he coughs into his hand. "It is. You'll-"  
        Just then a really pretty girl walks up behind him and looks over the  
rail at me.  
        "Don't bug him, Daddy. He 's hardly a bum, you know." She smiles  
at me
        "Hi," she says. ''I'm Jenny.
        "Terry,'' I say
        The guy, who I guess is her father, looks at me distastefully. He doesn't  
want his daughter associating with any known "Bay Area" people        The girl walks down the back stairs and out onto the beach        "Jenny," her father warns, " I don't - 
        Jenny turns and looks up at him. The guy shuts up, and after a  
moment, he turns and walks inside
        Jenny looks me in the eye
        "Should I apologize for him?" she says
        "Is it your fault he's that way?"  
        She laughs. "Maybe. A little.
        We walk down to the edge of the water. She doesn't say anything for  
a while. I follow suit. Then, after a few minutes, she turns her face to the  
sun.  
        "The 'Bay Area,' huh? "  
        "Yeah.''  
        "I lived there for about a year and a half in '82....'.83. In San Rafael.  
Dad couldn't understand it. He said, 'Where are you ever going to find  
a man there?"
        "Was he right?"  
        ''I married a guy there.''  
        ''Is that an answer?''  
        Jenny laughs again. She has a nice laugh
        ''He wanted a ride to work. I wanted a husband.''  
        ''Oh.''  
        She traces a circle in the sand with her bare foot. ' 'You been here  
long?''  
        ''A few hours.''  
        "Staying long? 
        I smile. " Got any ideas?"  
        We sit on the beach for about an hour. The conversation is light, easyWhen it cools off a little bit, Jenny runs up to the house to get the hibachi  
and a couple of steaks. We fry them up and bake a couple of potatoeshave a little salad and some wine, and then go for a short swim. I use a  
pair of trunks belonging to her ex-husband, Jerry. We dry off just before  
sunset, climb one of the dunes, and watch the big guy go down. We're  
quiet for a while. Jenny pulls her knees up to her chin and rocks softly.  
        "You love her, don't you? " she says finally.  
        "Who? 
        "Whoever it is you 're running from. You love her.
        "What makes you think I'm running?"  
        Jenny just looks at me
        ''Gloria,'' I say.  
        "Nice name. You love her? 
        "Yeah.''  
        "Have you told her? 
        "Yes."
        "When was the last time?
        I hesitate a moment, then say: "Six months ago.''  
        Jenny nods. "I had a fern once. It didn't get enough sun in the back 
room where I kept it.' '  
        "Died?"  
        "Yeah.''  
        "We broke up," I say. "My fault."  
        Jenny turns to face me. "Really?" she says
        The tide comes in below us and the sound of the waves grows louder.  
A light, warm breeze starts up
        "Your folks rich? " I ask.  
        Jenny nods.  
        We talk until about three o'clock in the morning. Not too much about  
Gloria, a little about Jerry. Mostly we talk about music. Zappa and Hendrix,  
the Raspberries and Elton John, even Elvis Costello and Lionel Richie
        We sleep on the beach that night. At one point, I wake up shaking.  
Jenny holds my hand until I go back to sleep.  
        I don't dream
        At ten o'clock in the morning, Jenny takes me into the house. The  
place has changed quite a bit, but I don't really remember that much about  
it
        Jenny's father looks up at me distractedly from the kitchen table, where  
he sits reading the paper. Jenny leads me to the den and pushes me inside.  
She shuts the door, leaving me alone
        Alone, that is, except for the phone.  
        She answers on the second ring.  
        ''Hello? ''  
        "Gloria, it's Terry."  
        Silence.  
        "Gloria, I love you.
        Silence.  
        "I need you , Gloria. I'm sorry.
        At first I think she's going to hang up. Listening closer, I can tell she's  
crying.  
        "Where are you?" she asks.  
        ''L.A.''  
        "Terry?"  
        ''Yeah?''  
        ''Come home, Terry.'' 

Spring Night

By Li Po


        Li Po (AD. 705-762) lived during the golden age of Chinese poetrythe T'ang Dynasty, and perfected the shon poem known as the Chyue-chiu.
"Spring Night" is an example of this form. A chyue-chiu consists of four 
lines, seven characters to a line. Each character in the first and second lines
corresponds to each other, as do the characters in the third and fourth lines.
The compact nature of Chinese allows for a great deal of movement within
each line.  

        In the poem, Cheng means City; lo Cheng is lo City . Lo is Li Po's
abbreviation of Loyang, the capital city. Homesick, Li Po hears someone
playing a flute and wonders who could be playing so intently and  
convincingly of home. 

SPRING NIGHT  

Whose jade flute spreads a flying sound?- 
Scattering this night's song of the broken willow,  
Filling the spring wind of Lo Cheng
In whom does not arise the ancestor's courtyard: home? 

Florida Beach

By Rex Mohlman

The old people come out early in the morning,  
       Ambling, shell-hunting on the beach;  
Poking at blue translucent balloons  
       Among the seaweed's tidal reach,  
Dead Portuguese men-of-war, a high moment  
       When nothing is expected.  

Women wear sleeveless shirts, flabby arms,  
       Kerchiefs over their hair,  
They are the leaders at this time of day, of life,  
       "Such a gorgeous day! Smell the fresh air!"  
They command to their companion-followers,  
       Turning to lead with a purposeful stride.  

Men wear nylon golf caps, cocked in recollection  
       Of going off to world wars;  
They were leaders then, their eyes reach out to sea,  
       Stomachs now hang in surrender, they smell of old cigars,  
Sandpipers running on their stick legs, nervous, afraid of everything,  
Sporty guys, wondering where they go to die.  

Rex Mohlman 

The Molting Season

By Laura Hamblin

I take my lizard skin in mouth,  
that which was moist,  
now transparent and dry.  
It once enclosed my being 
held me together.  
But it does no longer.  
I do not shed it to discard it.  
Rather, I retire to a solitude.  
Here, under stone,  
I eat my veins and scales,  
making internal the external.  
Listen softly--
behind the hum of cicadas  
you can hear the epidermis tear  
and my newborn-self scream.  

Laura Hamblin 

Exodus

By Mark Crimmins

A playful breeze  
precipitated  
The inevitable exodus
Clinging to parental limbs,  
In nervous throngs,  
The leaves conversed,  
Then trembled  
At the mandate  
Of wind,  
Sinking in air  
Onto a liquid path.  

Buoyant foliage  
In calm procession  
Populated the stream,  
Borne towards Jordan.  

Mark Crimmins

Moons

By C. Wade Bentley

In the way the half-moon hangs like a lobe  
is the sense of someone listening,  
eavesdropping through blue-black chiffon  
without a rustle. In the light let through  
is all the gravity of confessional, the settling  
of dust on wide shoulders like starlit lint.  
And by quarters like grimaces the moon rounds open,  
the full lips pregnant in prehistoric, cathedral nisusAbsolution is in the waning only, the mute  
abscondus that takes with it something of secrets  
and time, and leaves the night  
with usC. Wade Bentley

Man of Corn

By John David Wolverton

I am but fruit  
to the Crows of Misfortune  
that hunt on jeering wing.  
My prayers cannot fell them,  
nor drive them afar,  
their dark forms swarm above me  
with reaping hook frowns  
purple tongues writhing  
with caustic derision.  

Yet I am beyond them  
when I shelter within,  
nurturing,  
as a seed takes life,  
from the flames at its heart.  

I'll leave no footprints fleeing, 
in the dust of your hard earth
But in the shadows of netherwhere,  
where the heart only sees,  
I'll mend myself  
in a secret fire.  

John David Wolverton 

Palenqueo

By Laura Hamblin

Oxygen gives no breath  
In the air  
Of overripe bananas  
And a temple concealed  
With sprawling vines.  
It makes the message  
Of a descendantless culture  
Difficult to interpret.  
You will not learn it  
From the one-time valley child  
Now suckling tequila,  
Nor from those  
With proper degrees  
Picking endlessly  
At the records.  
One must be still.  
The answer  
Is in the cry of the Macaw 
And the sound of lichen  
Pulverizing rock.  

Laura Hamblin

Palenque: archaeological site of an ancient  
Mayan metropolis located near Chiapas, Mexico. 

Christina’s World

By D. Kendric Blake

In Topeka I stopped  
To consider Christina’s World, 
Flat and barren,  
Fecundity gone,  
And she, Christina,  
Impaled upon wheat  
On a forsaken burnt-brown hill 
Near her seasoned-grey house
Its shingles peeling in pieces  
Like boiled eggshells,  
While in pale-pink she winces 
To reason why a dead dusk sky 
Contains her world  
Like snake skin she cannot shed .  

Yet, the barns one side looks good
Its lines solid and steady  
On the crest of the ocean-prairie
And she, Christina, has hope 
That this view may not be the best
And that tomorrow from another side 
She may finally decide about the rest

D. Kendric Blake