Poets on Poetry

INSCAPE

What do you think is wrong with contemporary poetry?

JOHN TALBOT

Well, most of it is bad just because 1 think very few good poems get written in any period of time. That is to say, what’s wrong with contemporary poetry is probably not specific to this period. It may be that we have the illusion that other periods are better precisely because the winnowing process isn’t complete and so what’s presented to us in the pages of books and anthologies is often the best of what was written in a particular time, and what besets us on bookshelves now is simply an unedited flood. I’m skeptical about the emergence of really good poems. 1 think they’re rare for any individual person or for any period in history.

I do get the sense that with contemporary poetry a couple of things have gone wrong. One of those things is that technical accomplishment has gone out the window, and as a result a great deal of musicality has gone out of verse. I think one of the pleasures of poetry is that it moves you into the realm of sort of musicality, but a lot of verse that 1 read just strikes me as very prosey and doesn’t have strong rhythmic basis. The lines seem arbitrary to me. Whereas someone who couldn’t play a chord would not deign to go out and presume to entertain us, people who can’t do the poetic equivalent of those things do presume to write books.

If I were to say what else strikes me as wrong about poetry these days, it’s that there’s a sense that absolutely anything goes—absolute complete diversity.

The third thing is a collective amnesia that everybody seems to be undergoing where we forget about the past. Literature, perhaps poetry in particular, ministers to our need for continuity and continuance of long memories. Much of the poetry written today doesn’t seem to go back much farther than 1974. It doesn’t seem to be connected to or participating in a tradition. Or it seems to have the notion that to be participating in tradition is to be dogmatic and limited, whereas it is just the opposite.

INSCAPE

You’re a person who’s devoted a good deal to the writing, studying, and teaching of poetry. What value does poetry have for you? What is the value of poetry?

JAY HOPLER

Poetry for me is intricately tied to religion. So for me, writing is a type of prayer. It’s a big part of my life, as far as that goes, a huge spiritual part.

The value of poetry in general? I think that it puts us in touch with our humanity and provides a means by which we can confirm our humanity in a time period that is marked by chaos and uncertainty and a real dehumanization.